GENNY AT MILAN FASHION WEEK FALL WINTER 2026-2027

There are bows and ruffles. The bows are transformed into tailored details that replace the fastening of a sensual, masculine-cut white shirt, or they adorn the lapels of a refined tuxedo jacket. Ruffles, on the other hand, replace the lapels of a perfectly elongated jacket over the hips and trace the contours of a sensual cigarette-pant jumpsuit. Feathers are not nostalgic ornamentation but living material: they rest on structured tops and envelop coats with theatrical lightness, creating movement that contrasts with the rigidity of tailoring. They are accents of air within the construction.

Regarding the color palette, black remains the foundation, while ivory breathes beside it. Then come vibrant fuchsia, dusty lilac, and pale yellow, like pigments taken from an abstract garden. Animal prints—already present as an instinctive echo—now dissolve into subtle tones, almost natural shadows that traverse the fabrics without ever becoming aggressive.

Large bows applied like pins on shirts and dresses serve as graphic elements to interrupt the linearity of masculine suits. On the bow, rigor bends and becomes consciously aesthetic.

The models wear slippers and loafers, subtracting formality from the look. The contrast is intentional: sartorial architecture on top, relaxed step below. It’s a style that asks no permission and doesn’t need heels to assert itself. A woman who enters with the composure of a gentleman and expands like a flower sculpture.